hands, clay and nature
My client wanted a modern, glass topped table to go in an otherwise traditional room. So I looked at the motifs carved and inlaid into some of the other furniture. The form of the legs came from that and was developed by looking at the petals and stamen of the bindweed/morning glory that was in flower all round the workshop at the time.
What aesthetic would emerge if I were to fully embrace the need for environmental and ethical sustainability in my work?
What if? I suppose I’m happiest when I’m trying something new. It’s one of the reasons I choose hand-building over
Over the last year a new way of making has emerged that has transformed my work and is now bearing fruit. I’ve just written about it for the about page of the website, but for those of you who follow my blog posts I thought I would share it on here….